{"id":5,"date":"2016-01-06T01:44:05","date_gmt":"2016-01-05T23:44:05","guid":{"rendered":"http:\/\/penceremdenjaponya2016.jikad.org.tr\/yarismaci2\/?page_id=5"},"modified":"2016-02-01T09:02:43","modified_gmt":"2016-02-01T07:02:43","slug":"penceremden-1","status":"publish","type":"page","link":"http:\/\/penceremdenjaponya2016.jikad.org.tr\/yarismaci2\/penceremden-1\/","title":{"rendered":"E\u011fitimde Haiku’nun Yeri ve \u00d6nemi"},"content":{"rendered":"

Anadolu kocaman bir ev benim i\u00e7in . Bu evin i\u00e7inde y\u0131llarca Ahmet Pa\u015fa ,S\u00fcleyman \u00c7elebi,Ali \u015eir Nevai, Fuzuli, Baki, Nedim, \u015eeyh Galip gibi divan edebiyat\u0131 Yunus Emre, Karacao\u011flan, A\u015f\u0131k Veysel\u00a0 gibi halk edebiyat\u0131 Yahya Kemal Beyatl\u0131, Ahmet Ha\u015fim, Orhan Veli Kan\u0131k, Nam\u0131k Kemal, \u00dcmit Ya\u015far O\u011fuzcan, \u00d6zdemir Asaf gibi daha yeni d\u00f6nem\u00a0 \u015fairleri ile sanat ve \u015fiir sevgisini kazanm\u0131\u015fken, bir g\u00fcn Bilim \u00c7ocuk Dergisinde g\u00f6rd\u00fc\u011f\u00fcm bir davetle sanat ve \u015fiir dolu evimin penceresi, Japonya ya ve Japonlara a\u00e7\u0131ld\u0131.<\/p>\n

\"s\u0131n\u0131f\"<\/p>\n

Bu davet \u201c13 .D\u00fcnya \u00c7ocuk Haiku Yar\u0131\u015fmas\u0131\u201dduyurusuydu. \u00a0Haiku denen \u015fey neyse onu hi\u00e7 tan\u0131m\u0131yordum. \u00c7ok merakland\u0131m. Ara\u015ft\u0131rd\u0131\u011f\u0131mda ad\u0131 haiku olan bu \u015fiir formunun asl\u0131nda s\u0131n\u0131fta yapt\u0131\u011f\u0131m uygulamalarla \u00e7ok benze\u015fti\u011fini\u00a0 g\u00f6rd\u00fcm. O an anlad\u0131m ki asl\u0131nda \u00a0Haiku i\u00e7imizde bir yerlerde sakl\u0131 olan ama ad\u0131n\u0131 koyamad\u0131\u011f\u0131m\u0131z bir \u015feydi.\u00a0 (‘Dekiruka dekinaika’ o sai\u015fo-ni touna, \u2018Suruka \u015finaika\u2019 o kimero) “\u00d6nce m\u00fcmk\u00fcn olup olmad\u0131\u011f\u0131n\u0131 sorgulama, yap\u0131p yapmayaca\u011f\u0131na karar ver”diyor Ooyama Masutatsu.\u00d6\u011frencilerime bu yar\u0131\u015fmay\u0131 duyurmak i\u00e7in sab\u0131rs\u0131zlan\u0131yordum. Yapabileceklerine inan\u0131yordum \u00e7\u00fcnk\u00fc 1.s\u0131n\u0131ftan beri s\u0131n\u0131fta yazd\u0131rd\u0131\u011f\u0131m her c\u00fcmlenin, \u00e7\u00f6zd\u00fcrd\u00fc\u011f\u00fcm her matematik probleminin resmini ya da karik\u00fct\u00fcr\u00fcn\u00fc hem kendim tahtaya \u00e7iziyordum hem de defterlerine \u00e7izmelerini sa\u011fl\u0131yordum. \u00c7ocuklar\u0131n b\u00f6yle daha mutlu bir \u015fekilde s\u0131k\u0131lmadan \u00f6\u011frendi\u011fini ke\u015ffetmi\u015ftim. Resmin m\u00fckemmel olmas\u0131 de\u011fil o c\u00fcmleyi ya da problemi nas\u0131l anlatt\u0131\u011f\u0131yd\u0131 \u00f6nemli olan. \u0130ki koca kulak bir hortum i\u015fte size fil. Bir yuvarlak i\u00e7inde iki uzun di\u015f d\u0131\u015f\u0131nda iki uzun kulak bir de havu\u00e7 oldu tav\u015fan. Da\u011f\u0131n\u0131k renkli sa\u00e7lar, k\u0131rm\u0131z\u0131 top burun\u00a0 \u00e7ocu\u011fa palya\u00e7oyu anlatmak i\u00e7in yetip art\u0131yordu bile. Haiku \u015fiiri de b\u00f6yleydi.\u00a0 \u015eair k\u00fc\u00e7\u00fcc\u00fck bir an\u0131 yakalay\u0131p, o an\u0131 dizelerinde tan\u0131ml\u0131yor ve\u00a0 \u015fiir o k\u00fc\u00e7\u00fck an\u0131 donduruyordu. Resim de o an\u0131n\u00a0 hayal g\u00fcc\u00fc ile birle\u015fip daha iyi anla\u015f\u0131lmas\u0131n\u0131 sa\u011fl\u0131yordu. \u00d6\u011frencilerim ve ben bize asl\u0131nda hi\u00e7 yabanc\u0131 olmayan bu \u015fiir formunu \u00e7ok sevmi\u015ftik.Hem hece say\u0131s\u0131n\u0131 \u00f6\u011frenmek- \u00f6\u011fretmek- hem de resmin e\u011fitimdeki m\u00fcthi\u015f etkisini kullanmak, do\u011fa, renkler, mevsimler \u00f6zellikle hayat bilgisi ve sosyal bilgiler derslerinde anlatmak ve en \u00f6nemlisi duygu e\u011fitimi \u00a0i\u00e7in haiku ,e\u011fitimde kesinlikle var olmal\u0131yd\u0131.<\/p>\n

\"S\u0131n\u0131f2\"\"B\u0130Z\u0130MK\u0130LER\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Anadolu kocaman bir ev benim i\u00e7in . Bu evin i\u00e7inde y\u0131llarca Ahmet Pa\u015fa ,S\u00fcleyman \u00c7elebi,Ali \u015eir Nevai, Fuzuli, Baki, Nedim, \u015eeyh Galip gibi divan edebiyat\u0131 Yunus Emre, Karacao\u011flan, A\u015f\u0131k Veysel\u00a0 gibi halk edebiyat\u0131 Yahya Kemal Beyatl\u0131, Ahmet Ha\u015fim, Orhan Veli Kan\u0131k, Nam\u0131k Kemal, \u00dcmit Ya\u015far O\u011fuzcan, \u00d6zdemir Asaf gibi daha \u2026 Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":28,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"http:\/\/penceremdenjaponya2016.jikad.org.tr\/yarismaci2\/wp-json\/wp\/v2\/pages\/5","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/penceremdenjaponya2016.jikad.org.tr\/yarismaci2\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/penceremdenjaponya2016.jikad.org.tr\/yarismaci2\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/penceremdenjaponya2016.jikad.org.tr\/yarismaci2\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/penceremdenjaponya2016.jikad.org.tr\/yarismaci2\/wp-json\/wp\/v2\/comments?post=5"}],"version-history":[{"count":8,"href":"http:\/\/penceremdenjaponya2016.jikad.org.tr\/yarismaci2\/wp-json\/wp\/v2\/pages\/5\/revisions"}],"predecessor-version":[{"id":103,"href":"http:\/\/penceremdenjaponya2016.jikad.org.tr\/yarismaci2\/wp-json\/wp\/v2\/pages\/5\/revisions\/103"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/penceremdenjaponya2016.jikad.org.tr\/yarismaci2\/wp-json\/wp\/v2\/media\/28"}],"wp:attachment":[{"href":"http:\/\/penceremdenjaponya2016.jikad.org.tr\/yarismaci2\/wp-json\/wp\/v2\/media?parent=5"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}